We bring to life subjects that illustrate the impact our students, teaching, research and graduates make in the world.
The Stand exists to unlock the knowledge and expertise inside the 51²è¹Ý (UOW), telling stories about our people and their accomplishments that inform, educate and inspire. This magazine was born out of a renewed sense of place, purpose and values that will guide the University in fulfilling its role in exploring how to resolve society’s large and complex social, environmental and economic challenges.
We believe education is one of the most powerful transformative forces on communities and individuals. It opens minds and helps people find purpose, meaning – and solutions for the world’s most pressing challenges.
This is our unified story – a story that draws on our past, understands the present, and looks to the future.
Articles
China Alumni Events
Thank you for attending our alumni events in China in October. It was great to see so many alumni enjoying each others company and making connections.
AI at work
Joel Robbie started Nod as a way to solve a family problem. Now the fintech start-up has been listed on KPMG’s coveted FinTech 100 as a company to watch.
An energising international career
An interest in ethical investments has sparked a global career for UOW alumna Maree Myerscough (nee Costello) which has seen her work recognised on the world stage.
Art for all
Aaron Seeto is the Director of the Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), the first museum dedicated to modern and contemporary art in Indonesia. He spoke to Leanne Newsham about his passion for making art and art education more accessible to the public.
Larger than life
In just three short years, Claire Foxton has expanded her already impressive creative repertoire from artist, designer and print maker, to internationally accomplished muralist.
Lisa Havilah: a creative powerhouse
In 2003, a controversial art exhibition in Western Sydney examined the life and death of Blacktown woman Anita Cobby. The exhibition ‘Anita and Beyond‘- the brainchild of the then Casula Powerhouse director, Kon Gouriotis - involved 12 artists and reams of social history material including personal memorabilia linked to the aftermath of a crime committed in 1986.